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Allegory is one of several ways that naturalistic traditions have historically interpreted myth.
Mirriam-Webster defines allegory as:
the expression by means of symbolic fictional figures and actions of truths or generalizations about human existence
The Stoics, for example, read Greek myths as referring to natural phenomena: Zeus to sky, Hera to air, Poseidon to water, etc.
Jungians distinguish between allegory and symbol (see “Symbol”, below), as elucidated in the following chapter by David and Sharn Waldron:
Jung clearly differentiates between symbols and archetypes embedded in culture and consciously constructed forms […] According to Jung, consciously constructed images are allegories and signs that give reference to psychological archetypes deeply buried in the unconscious mind. They do not represent the archetypes themselves and are thus not symbolic as such. Allegories and signs have a conscious and known meaning whereas a symbol must always and necessarily be an unknown quantity. If a symbol can be totally explained or rationalized within the confines of the conscious mind, then it ceases exercise the power of a symbol and becomes an allegoric reference. From Jung’s perspective, symbols represent those unquantifiable aspects of the unconscious that have a numinous quality, creating meaning for the individual or the collective. They play an illuminating role, revealing the hidden aspects of the psyche. However, when a symbol becomes a consciously apprehended and constructed image, it ceases to be a symbol and, although it may masquerade as a symbol, it becomes a representation of the personal. Therefore it ceases to be a union of opposites and becomes a collaborator in the suppression of the shadow. (Waldron and Waldron, 2008).
See also “Metaphor” and “Symbol.”
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In China, there is a story told about a husband and wife who are rice farmers. They have just finished planting the crop. The husband, though, is not content just waiting for the crop to grow. He wants to do more; he thinks he can do more. This worries his wife. Even when the shoot have become ankle high, the husband is still edgy, still convinced there is something more he can do to make the rice crop grow faster and better.
One morning the wife wakes up to find her husband out of the house. She looks for him out in the rice paddy, and there he is surrounded by the shoots of rice that he has pulled up in his attempt to make them grow faster. “What have you done!” she yells….
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The archetype is perhaps the most common naturalistic interpretation employed by Neopagans. Halstead finds the concept notable in the work of such Neopagan figures as Vivianne Crowley, Margot Adler, Dion Fortune, Starhawk, and Janet and Stewart Farrar.
Although the term predated C. G. Jung (going as far back as Plato), it has become inseparably bound up with him, as well as with Joseph Campbell who was deeply influenced by him. Unlike most psychologists of his day, Jung did not conceive of the mind as a tabula rasa, but as an organ structured toward specific tendencies as the result of evolutionary pressures. Jung did not settle on one single definition of the archetype, as noted in John Ryan Haule’s Jung In the 21st Century, though it is “always some sort of structuring principle that lies outside of everyday consciousness and, when it emerges suddenly, exceeds all subjective expectations.” Jung conceived of archetypes as “typical modes of apprehension”, closely related to instincts, which he called “typical modes of action” (Collected Works 8, quoted in John Ryan Haule).
Haule notes that for Jung, an archetype is separate from an archetypal image. The former is an innate biological pattern empty of form, the latter a cultural image that gives the pattern form. Thus, the archetype of the anima may appear as Athena without implying that the two are one and the same. Both are necessary for an archetype to appear, but the two are distinct. Neopagans have often been guilty of blurring the lines between archetype and archetypal image, leading to some confusion.
John Ryan Haule has attempted to align Jung’s archetype with modern evolutionary understandings, linking it with notions of mental modularity, and describing it thus:
An archetype is a species-specific behavior pattern that recognizes and imagines the settings in which the behavior is an appropriate response. Inherited with our genes as an empty program, it becomes activated automatically when it encounters appropriate stimuli. The details of the inherited pattern are developed and refined through a socialization process that begins in earliest infancy, building neural connections through active engagement with caretakers and the world at large. When an archetype is constellated, our whole body is engaged and its emotional arousal focuses and motivates us with a force that is very difficult to resist.
The identification with mental modularity might seem problematic, however, and possibly inconsistent with Jung’s descriptions of archetypes (see “Modularity of Mind”). Haule responds to this criticism in his interview.
Halstead notes:
Jungian theorists may take issue with Neopagan usage of the term “Archetype”, which is ineffable, to refer to consciously constructed symbols. When Neopagans use the term Archetype, they mean that their experience of a symbol (or “sign” in Jungian parlance) is profound and one that they relate to the universal human experience of discovering meaning in life. (See Goldenberg, 1979.)
Waldron and Waldron have treated the history of Neopaganism and Jungian archetypes, which Halstead has incorporated into a three-part series on the history of American Neopaganism’s search for legitimacy. In another essay, Halstead laments how Neopagans have turned their back on Jungian interpretations after coming to perceive deities as “just” archetypes; instead, he urges we rediscover the archetypes as gods in their own right.
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I prefer to call it Naturalistic Paganism, but you can’t very well run from the fact that it’s basis is in atheism for me. This blog will be about day to day Naturalistic Paganism according to how it fits in my life.
I used to get pretty hung up on labels. A place for everyone and everyone in their place. Back then, I think, I tried a bit too hard to fit somewhere. Rather than forging my own path in life, I wanted one that was neatly worn down by other traffic. With Paganism, unless you can buy what someone else is selling, this just doesn’t work. Quite a lot of my opinions on all things Pagan had to come under scrutiny as a result.
I have never bought the concept of separate and sentient deities. I know I’m not alone. I just am not content to give up the lifestyle that I think fits me, and that’s where natural paganism comes in. In the last 20 years, I haven’t lived any other way but according to the Wheel. So, the Atheist Pagan is who I became.
So, how exactly does one practice Atheist Paganism? Well, probably much the same way as any other Pagan, just minus all the deities. This doesn’t mean that I don’t use their images, I mean, after all they are connected with the Wheel. It just means that I don’t expect these deities to hear me or otherwise pay any attention to me simply because I don’t believe they are capable of doing so. I don’t do elaborate rituals with all the fanfare that some Pagans do. In fact, it might be hard for outsiders to even tell that I do anything at all.
In this article, I’ll cover all 8 holy days according to Pagan Wheel of the Year. My spin on them in somewhat different, however. I used to get stuck during some of them and had to make them fit how I saw the Wheel and how it would pertain to my life, my location and my own craft.
August 11th-12th is the peak of the Perseid meteor showers this year. Stardate recommends how to get the best viewing:
Get away from the glow of city lights and toward the constellation from which the meteors will appear to radiate.
For example, drive north to view the Leonids. Driving south may lead you to darker skies, but the glow will dominate the northern horizon, where Leo rises. Perseid meteors will appear to “rain” into the atmosphere from the constellation Perseus, which rises in the northeast around 11 p.m. in mid-August.
After you’ve escaped the city glow, find a dark, secluded spot where oncoming car headlights will not periodically ruin your sensitive night vision. Look for state or city parks or other safe, dark sites.
Once you have settled at your observing spot, lie back or position yourself so the horizon appears at the edge of your peripheral vision, with the stars and sky filling your field of view. Meteors will instantly grab your attention as they streak by.