
As the famous jazz musician John Coltrane said, “All a musician can do is get closer to the sources of nature, and so feel that he is in communion with the natural laws”. Drumming, like any practice, may not be for everyone, but it is this very real and very natural enhanced perception that makes drumming a potential source of spiritual transformation.
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It’s easy to be pagan in the wild. It’s easy to find the heart of a nature-based pagan path when you’re immersed in a quiet forest or secluded desert highway. Connecting with the divine is a simpler act when your breath catches at the sight of a graceful doe or soaring raptor. But what about deep within cities, with graffiti-tinged cement and stinking hot asphalt under the burning summer sun? Where is the sacred in a clearcut, or a landfill, or a mountaintop mine?
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In Deep Time, late spring can span the time from the Cambrian to the early Mesozoic – a time during which life moved onto land, including, belatedly, our vertebrate Ancestors. Surviving on land required many deadly challenges to be overcome. Similarly, our lives…
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I feel this situation speaks to a deep and important longing among modern Pagans. We admire the non-creedal, integrated, world-affirming lifeways of ancient paleo-pagans and hope to (re)create that form of religion for ourselves, working past centuries of religious alienation produced by religions which insist that any experience of “depth” must be “Not of this World.” But the societies in which ancient paleo-pagan religions were practiced no longer exist; if we celebrate paleo-paganisms because of their seamless integration with daily life, natural systems, and cultural milieu, then the fact that we live in entirely different circumstances means that, even if we could recover these systems in their entirety, we could not successfully integrate them into our own lives, which is the goal in the first place.
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