Naturalistic Paganism

Unexplaining the unknown: Science’s forgotten power

Roque de los Muchachos Observatory

The hallmark of true science is not its power to explain things, but to unexplain them.

– by B. T. Newberg

Why does so much of popular culture seem to doubt and resent science?  Perhaps it is because, in public perception, it has lost its natural power to evoke the unknown.

Does science explain phenomena in the natural world?  Yes, to a remarkable extent.  But even more so, science unexplains phenomena.  It helps us know what we do not know.  This fact has been forgotten.

All knowledge is provisional

Scientists may not always like to admit it, but modern science is founded upon the assumption that ultimately nothing is known for certain.  The things we claim to know are discovered progressively, with new evidence always capable of overturning old theories.  That implies that every theory, no matter how well-tested, is provisional and subject to uncertainty.

Yet science is not hogwash.  The other founding assumption is that despite the ultimate unreliability of all theories, some are more reliable than others.  Scientific method has been painstakingly crafted to eliminate bias and error as much as possible.  Thus, a theory which is laboratory-tested through hundreds or thousands of double-blind experiments by numerous scientists, each working independently, employing different means to achieve the same results, and having their work rigorously critiqued through the process of peer review, is considerably more than a good hunch.  It is as reliable as humanly possible.

Still, it is not good science unless it is acknowledged, implicitly or explicitly, that there remains a margin for error.  That’s what separates science from dogma.  The hallmark of true science is not its power to explain things, but to unexplain them.

Unexplaining

By unexplaining, I mean explaining why current explanations don’t fully explain.

Here’s a recent example.  In March of 2010, a finger bone fragment of a new hominid ancestor, distinct from Neanderthals and modern humans, was discovered in the Denisova cave of Russia.  DNA analysis then made it appear likely that some 5% of the genes of Melanesians are inherited from these Denisovans.  Through these discoveries, we learned that what we had previously thought about our ancestry was wrong.  Clearly, we had and continue to have a lot more to learn.  Our evolutionary history was thereby unexplained.  Even as we learned a little more than we knew before, the sense of the unknown that lied before us was evoked.

This power of science is often totally obscured.  Instead, there is a tendency among science enthusiasts to close ranks against skeptics and present the impression of complete certainty.

Let me illustrate with a personal story.  I once wrote a detailed question about speciation in evolution, and submitted it to several email lists frequented by science enthusiasts.  The precise question isn’t important here; what’s important was the response.  Overwhelmingly, I was labeled a Creationist.  Why?  Because I expressed uncertainty about an aspect of evolutionary theory.  In the current climate around that particular issue, there was no room for questioning.  Ranks closed to present the impression of absolute certainty – or in other words, dogma.

There’s a caveat, though.  The people who labeled me a Creationist were not professional scientists.  They were science enthusiasts.  That may be a crucial consideration.  Trained, professional scientists may understand the provisional nature of their work, but is that idea common beyond the lab?  How has it come to pass that the power of science to unexplain has failed to filter down into popular culture?

There was an age in history when the unknown was inspiring and humbling.  Nowadays, it is too often dismissed as the soon-to-be-known, or the not-worth-knowing.  Our culture has lost the power to unexplain.  And that has had consequences.

Betrayed by science

I’ve met a lot of people who hold a grudge against science, as if it’s lied to them.  One man recently bewailed scientists as saying one thing one day, another the next.  “First they said margarine was good for us, now they say it’s bad!”

You can probably think of any number of other similar examples you’ve heard around the watercooler.  What causes cancer and what’s behind climate change are two topics likely to incite resentment against scientists in recent years.

There’s a certain logic to the argument.  Since new discoveries reveal as false what was once trusted as true, they are lamented rather than lauded.  People feel betrayed.

What seems to be missing here is an appreciation of the fact that all scientific theories are provisional.  It is misguided to trust them so much that new evidence to the contrary feels like a betrayal.  It’s true we must trust them, even trust them with our very lives, because we have nothing better on which to base decisions.  Yet without an appreciation of their ultimate uncertainty, we are bound to expect too much, and end up holding a grudge.

A better way?

What would a more healthy attitude toward science look like?  To answer this, I turn to a perhaps unlikely source.  A friend of mine is a Vodou priest.  Recently I challenged his belief in the supernatural, and he gave a surprisingly rational and empirical response.

“Things in my house move around,” he said, throwing his hands up in a shrug.  He acknowledged he could be in error, or hallucinating.  He acknowledged that although Vodou gives him a practical framework within which to understand his world, many aspects of it are probably false.  Ultimately, he doesn’t know the truth of things with any certainty.

I wish more science enthusiasts would take the same attitude toward science.

Mind the gap

It’s probably important to reiterate here what was said earlier about some theories being more reliable than others.  We should not all take up belief in the supernatural just because we don’t ultimately know the truth.  That’s called a “God of the gaps” theory, where a gap in knowledge is taken as excuse to believe something without evidence.  It’s just another form of explaining away, when what we should be doing is unexplaining.  We should, like my friend, simply acknowledge the gap.

What was most remarkable about my friend was his willingness to unexplain his beliefs.  In that respect, I respect him more than I respect a lot of science enthusiasts who sincerely believe they’ve got hold of the real thing – Truth with a capital T.  Genuine science is the demolition of all capital T’s, and acceptance of the provisional nature of truth.

Perhaps if we can find a way to raise this aspect of science to popular consciousness, there will be less doubt and resentment.  Science writers and educators should devote less time to explaining, and more to unexplaining.

Only then may science reclaim its natural power to evoke the unknown.

Get our ebooks

B. T. Newberg ebooks

Upcoming work

This Sunday

B. T. Newberg

Has science lost its power to evoke the unknown?  And if so, how can it get its groove back?

Unexplaining the unknown: Science’s forgotten power, by B. T. Newberg

Appearing Sunday, April 29, 2012

Next Sunday

Glen "Fishbowl"

Glen blends process theology and religious naturalism to create a path of naturalistic polytheism.

Paganism and the gods, by Glen Gordon

Appearing Sunday, May 6, 2012

Recent Work

Magic in the 22nd century, by Drew Jacob

The Spiritual Naturalist Society: An interview with DT Strain

A review of Loyal Rue’s “Religion Is Not About God”, by B. T. Newberg

Get our ebooks

B. T. Newberg ebooks

Cherry blossoms bloom and fade in Korea

– by B. T. Newberg

This video is a bit more quirky than usual for HP, but I thought I’d share it.  Everyday from the first bud to the final petal, we took a video of the local cherry blossoms.  Watch them bloom and fade before your eyes.

There’s also a local Cherry Blossom Festival with some wicked karaoke.  🙂

You can find more videos like this at the Korea travel blog of my wife and I, Bibimbap Litterbox.

Cherry blossoms in full bloom, by B. T. Newberg

Cherry blossoms and the Japanese occupation

What this video doesn’t capture is the deep ambivalence Koreans must feel about the blossoms.  Although cherry trees are indigenous to Korea, much of the culture surrounding their celebration comes from Japan.  They are thus a reminder of atrocities committed during the Japanese Imperial occupation (1910-1945), including forced labor, sexual slavery, and medical experimentation.  To this day the trauma has not fully healed.

During World War II, the cherry blossom was used to motivate the Japanese people, to stoke nationalism and militarism among the populace.[9] Even prior to the war, they were used in propaganda to inspire “Japanese spirit,” as in the “Song of Young Japan,” exulting in “warriors” who were “ready like the myriad cherry blossoms to scatter.”[10] In 1932, Akiko Yosano‘s poetry urged Japanese soldiers to endure sufferings in China and compared the dead soldiers to cherry blossoms.[11] Arguments that the plans for the Battle of Leyte Gulf, involving all Japanese ships, would expose Japan to serious danger if they failed, were countered with the plea that the Navy be permitted to “bloom as flowers of death.”[12] The last message of the forces on Peleliu was “Sakura, Sakura” — cherry blossoms.[13] Japanese pilots would paint them on the sides of their planes before embarking on a suicide mission, or even take branches of the trees with them on their missions.[9] A cherry blossom painted on the side of the bomber symbolized the intensity and ephemerality of life;[14] in this way, the aesthetic association was altered such that falling cherry petals came to represent the sacrifice of youth in suicide missions to honor the emperor.[9][15] The first kamikaze unit had a subunit called Yamazakura or wild cherry blossom.[15] The government even encouraged the people to believe that the souls of downed warriors were reincarnated in the blossoms.[9]

In its colonial enterprises, imperial Japan often planted cherry trees as a means of “claiming occupied territory as Japanese space”.[9]

(from Wikipedia)

Sohn Kee Chung gold medalist for Japan

1936: Olympic gold-medalist runner Sohn Kee Chung, forced to compete for Japan and adopt the Japanese name Kitei Son, covers the Imperial flag with a plant.

The feeling of mono no aware

The fast-fading blossoms are a symbol of mortality and impermanence, evoking the aesthetic known in Japanese as mono no aware, meaning “the pathos of things” or “a sensitivity to ephemera.”

The word is derived from the Japanese word mono (物?), which means “thing”, and aware (哀れ?), which was a Heian period expression of measured surprise (similar to “ah” or “oh”), translating roughly as “pathos”, “poignancy”, “deep feeling”, or “sensitivity”. Thus, mono no aware has frequently been translated as “the ‘ahh-ness’ of things”, life, and love. Awareness of the transience of all things heightens appreciation of their beauty, and evokes a gentle sadness at their passing.

(from Wikipedia)

Magic in the 22nd century, by Drew Jacob

Scroll rods, by Drew Jacob

“Let’s assume you believe magic never works. How then should you view people who practice or believe in it?”

This week we hear from Drew Jacob, author of Walk Like a God, and proprietor of altmagic.

This article will not convince you that magic is real.

I practice the art of magic. I define magic as using ritual or ceremony to cause something to happen. That doesn’t imply anything supernatural; I suspect most ritual has primarily psychological effects.

In theory, if those psychological effects get someone to change their attitude or behavior, the impact of the ritual could be significant. Love spells, financial success, and other effects can be quite real.

But I don’t care for one second if you believe that.

Instead, let’s assume you believe magic never works. How then should you view people who practice or believe in it?

Frauds and charlatans?

In general, skeptic literature has demonized magicians and magic believers. There are exactly two ways a skeptic is allowed to view magic types: idiots, or parasites. B. T.’s own writeup neatly echoes that sentiment: “Magic scrolls… It’s hard to imagine a more blatant way to exploit naïve believers…”

His comments were actually meant to be positive. He wrote the article to say how interesting and different my approach to magic is. He wanted his most skeptical readers to give it consideration, so he started out by playing to their concerns: magic is fraud, magic is crazy.

This is symptomatic. If the only way you can talk to skeptics and humanists about a sincere, intelligent magician is to start off with the ridicule of magicians in general, there’s a deep and questionable bias at work. B. T.’s message was that I’m the “good” magician, not like all those other magicians. But being the good magician is kind of like being the good Jew. “You’re not like those other Jews.” Hmm.

I see magic very differently.

Art-and-tech

The practice of magic is art-and-tech utilizing beautiful, empowering rituals to radically change lives. It’s an art in that it draws on the vivid imagery of myth and dreams. It’s a technology because it uses that imagery to create profound, predictable effects in the subject. Magic rites take myth and template it onto the individual practitioner, for an engaging art form with a deep and lasting emotional impact. This impact is so significant that people who merely witness it or believe in it feel it as vividly as those who participate in it. Which is why so many people who are not magicians nonetheless “feel the energy” in magical talismans.

Consider the significance of that. The emotional impact of these rituals is so great that people feel it tangibly. This puts magic on a par with the most powerful works of theatre, except magic is uniquely aimed at the individual. In many ways, I think this is what motivates people to hire a magician – more so, in many cases, than the alleged effects of the spell itself.

Magic injects wonder into your life.

Religion, culture, and philosophy

This is different from religion. Instead of placing one’s hope in unknowable beings, magic tells the individual to place their hope in themselves. It says they have the power to make changes on their own, to wrest what they want from the world around them.

Magical traditions also serve as living repositories of culture. Elements of art, music, dance, philosophy, folklore and social commentary are embedded into each magical lineage. An active magical tradition in turn informs culture, with its own innovations in art, music and theory feeding into broader society at many levels. We see this in tribal cultures to this day.

These contributions don’t have to be considered inherently valuable. You can make an argument that art and philosophy have relatively little worth compared to science and industry. But art and philosophy remain a vital area of interest: most skeptics don’t call for the closing of philosophy departments for teaching Aristotle, whose theories are disproved. Nor do they call artists and galleries charlatans for selling expensive objects whose alleged benefits are far from proven.

Instead we dedicate significant private, public and academic resources to understanding and preserving art and cultural tradition. There is an increasing awareness that something important is lost if these things are simply put in a museum for display. Thus, last year when the Minneapolis Institute of Arts opened its special exhibition of Native American artwork, traditional musicians played in the gallery, videos of elders and tribal artists graced each room, and birch bark baskets were placed before ceremonial works of art so museum visitors could make offerings of tobacco. Tribes and bands throughout the region were consulted on the exhibition. The inclusion of living practices – and respect for the people who care about them – was seen to add something above and beyond simply presenting relics of the past with explanatory note cards.

The real benefits of magic

I place the practice of magic very much in the same camp. There are claims in magic that are bullshit. It is unlikely in the extreme that any magic rite will allow you to fly or turn into a cat; but very few magical traditions make such claims (outside of fiction). There are magical practices that are a public danger, such as select Santería potions that contain mercury. These practices should be outlawed (and have been, in the United States). But the majority of magic practices make neither of those mistakes. Without making any reference to the supernatural, we can say that most magic practices do at least one of three things:

  • Promise a variety of hard-to-prove effects, many of which could come true simply because the person believes they will and acts accordingly
  • Give individuals a sense of control over their life when they otherwise feel disempowered
  • Act as ritual theater offering an immersive cultural experience

These are admittedly nebulous benefits. But it’s foolish to write off something that encodes cultural narrative and, at the same time, contributes to the emotional wellbeing of millions of people. There’s also a great deal of misinformation spread about magic: that it has all been proven not to work. That it all relies on supernatural thinking. That anyone who practices it is a liar. These beliefs are factually untrue, which makes them a poor basis for opinions about magic.

A call for critical thinking

I think humanists can do better. The entirety of skeptic literature can do better, but I think spiritual humanists are the ones most likely to make nuanced, informed opinions about things like rituals and spells.

It’s perfectly reasonable to take the position that psychological and social benefits, or cultural traditions and beliefs, are not worth paying for. That’s different than saying that anyone who does pay for them is stupid, and anyone charging for them is a fraud.

Most magicians are sincere believers, who themselves use the same charms and methods they prescribe to their clients. More to the point, they are skilled artisans using time-tested tools that have observable, beneficial effects.

I think it’s time for critical thinkers to look at the reality of the art of magic, and not just the foregone conclusions of a less educated generation of skeptics.

The author

Drew Jacob

Drew Jacob is the Rogue Priest. He’s walking from the Mississippi River to the Amazon on a search to meet the gods. He makes his living as a writer and an artist crafting traditional magical charms.

Check out Drew’s other posts:

Upcoming work

This Sunday

Drew Jacob

Drew Jacob asks: “Let’s assume you believe magic never works. How then should you view people who practice or believe in it?”

Magic in the 22nd century, by Drew Jacob

Appearing Sunday, April 22, 2012

Next Sunday

B. T. Newberg

Has science lost its power to evoke the unknown?  And if so, how can it get its groove back?

Unexplaining the unknown: Science’s forgotten power, by B. T. Newberg

Appearing Sunday, April 29, 2012

Recent Work

The Spiritual Naturalist Society: An interview with DT Strain

A review of Loyal Rue’s “Religion Is Not About God”, by B. T. Newberg

My daily practice: Morning ritual, by John H. Halstead

Get our ebooks

B. T. Newberg ebooks